Personal Profile

刘健个人简介  

Biography of LIU Jian

刘健,上海音乐学院作曲博士，中央音乐学院作曲博士后，浙江师范大学教授，硕士研究生导师，浙江音乐家协会会员，中国音乐家协会会员、中国民族管弦乐协会会员，中国音乐协会评论学会会员。

本科就读于星海音乐学院，双修音乐学系和作曲技术理论系。在音乐学系为西方史专业，师从黄虹教授；作曲师从徐学吉教授和李方副教授。2007-2010年在上海音乐学院攻读作曲硕士研究生，师从吕黄副教授；2010年开始攻读上海音乐学院作曲博士研究生，导师杨立青教授，2013年6月取得博士学位；现在任职于浙江师范大学音乐学院。2019年9月至12月入选上海音乐学院亚欧中心邀访学者；2017年9月进入中央音乐学院音乐研究所流动站，合作导师为郭文景教授，2022年顺利出站。

在理论方面，刘健专注于斯特拉文斯基与毕加索之关系，音乐空间问题、以及音乐能量问题的研究，已在《音乐研究》《中国音乐学》《人民音乐》《星海音乐学院学报》《北方音乐——哈尔滨音乐学院学报》等权威、核心期刊上发表近二十篇论文。作为青年作曲家，她同时涉足西洋乐器和中国民乐器乐的创作，致力于现代音乐中西交融的探索。其作品曾在国家大剧院等国内外重大音乐节/活动中上演；十余个作品在刘天华作曲比赛、帕拉天奴、全国音乐作品评奖（文华奖）、美国长风奖、金钟奖等重大专业作曲比赛中获取奖项与好评。她于2015年和2017年两次主持国家艺术基金项目；2019年在北京举办“冀中乡韵的当代回响——2019刘健作品音乐会暨研讨会”；2022年6月发行个人作品专辑《踏歌而行——刘健获奖作品选》。

LIU Jian, doctor of Composition in Shanghai Conservatory of Music, postdoctor of Composition in Central Conservatory of Music, is the associate professor of Zhejiang Normal University. Currently a member of China Musicians Association, Review Society in China Musicians Association and China Nationalities Orchestra Society.

LIU Jian, Doctor in composition from Shanghai Conservatory of Music, Postdoctoral Fellow in Composition from Central Conservatory of Music, Associate Professor, and master’s degree Tutor of Zhejiang Normal University, as well as a member of Zhejiang Musicians Association, Chinese Musicians Association, China Nationalities Orchestra Society, and China Music Association Criticism Society.

She got her Bachelor’s degree in Xinghai Conservatory of Music, studied The History of Western Music with Professor Hong,Huang and Composition Theory with Professor Xueji,Xu and Associate Professor Fang,Li. She got her Master’s degree in Shanghai Conservatory of Music, studied Composition with associate professor Huang,Lu. From 2010, she began to work for her doctorate in Composition in Shanghai Conservatory of Music under the guidance of professor Liqing,Yang, and received a doctor’s degree in 2013. Now she is working at Zhejiang Normal Universty. From September to December 2019, she was selected as a visiting scholar at the Asia-Europe Center of the Shanghai Conservatory of Music. In September 2017, she joined the Music Research Institute at Central Conservatory of Music, collaborating with Professor Guo Wenjing as a postdoctoral fellow, and has successfully completed this program in 2022.

In theoretical research, Liu Jian concentrates on the relation between Stravinsky and Picasso, the research of the space in music, and the kinetic nature of music; and has been published about 20 articles in the most prodigious journals in China, such as Music Research, Musicology in China, People’s Music, Journal of Xinghai Conservatory of Music, Journal of the Northern Music. As a young composer, she has devoted to compose with western instruments and performed in major music festivals or events at home and abroad, such as Shanghai Contemporary Music week, Beijing German Music Week, Hamburg Music Festival in Germany, Shanghai IPEA Percussion Festival, CCTV and National Grand Theater. More than ten works have won awards and praise in major professional composition competitions such as Liu Tianhua Composition Competition, Palatino, National Music Awards (Wenhua Award), American Chandfeng Award and Golden Bell Award. She hosted the National Art Fund twice  in 2015 and 2017; held “Contemporary Echoes of the Jizhong rhyme-2019 LIU Jian’s Work Concert and Seminar” in Beijing in 2019.In June 2022, she released her personal album “Walking with Singing—Selection of Award-winning Music Works of Liu Jian”.

专业创作活动与获奖：

Professional Compositions and awards：

Ø 琵琶与打击乐《龙戏珠》获2007年第三届“TMSK刘天华奖中国民乐室内乐作品比赛”优秀奖。the Dragon playing a ball for Pipa and the percussions（the Excellence Awards in the TMSK Chinese Traditional Chamber Music Competition in Shanghai in 2007）。

Ø 七重奏《“不许瞌睡！”》入选中德作曲研究生交流音乐会，2008年6月20日德国汉堡音乐节首演。Septet No Drowsiness! (Selected for the Sino-German Composition Graduate Student Exchange Concert, premiered on June 20, 2008, at the Hamburg Music Festival, Germany.)

Ø 双小提琴《八个爪子》获第二届“帕拉天奴”杯作曲比赛入围奖，2008年5月北京中央音乐学院音乐厅首演；2008年10月参加第一届上海当代音乐周。Eight Claws for two violins (the Candidate Prize in the 2008 “Palatino” Awards, premiered in Concert Hall of Central Conservatory of Music in May,2008)

Ø 竹笛独奏《黄河船夫曲》入选上海音乐学院“挑战奖与激励奖”音乐会，2008年6月上海贺绿汀音乐厅首演，2011年2月获文化部第十五届全国音乐作品(民乐)评奖优秀奖。Song for the Yellow River Boatman for the Chinese bamboo flute solo(as a chosen oeuvre for the Contemporary Music Performance Competition for Challenge and Encouragement Award, premiered in the He Luting Concert Hall of Shanghai Conservatory of Music in June,2008. Won Excellence Award in the 15^th national competition for music works which was held by the Ministry of culture in Feb.,2011.)

Ø 打击乐九重奏《向莫扎特致敬》是上海民族乐团“王音睿‘击·打’打击乐专场音乐会”委约作品，2008年9月上海东方艺术中心首演。Saluting to Mozart for the Nonet of the percussions(commissioned by Wang Yinrui for his “Special Concert of Percussions” of the the Shanghai Traditional Orchestra. premiered in the Shanghai Oriental Art Center in September)

Ø 两组木鱼《乒乓与球》是上海民族乐团“王音睿‘击·打’打击乐专场音乐会”委约作品，2008年9月上海东方艺术中心首演，并荣获第十四届全国音乐作品评奖文化音乐作品创作优秀奖。Ping-pong and the Ball for two groups of tempo block （the same as above；the Excellent Award in the Composing in the 14^th National Musical Pieces Prize）

Ø 三个唢呐《相声》获2008年上海音乐学院“民音杯”第二届民族乐器室内乐作品比赛鼓励奖。Cross Talk for three Suona horns(the Consolation Prize for the “Min Yin Cup” ,the 2^nd Chinese Traditional Chamber Music of Shanghai Conservatory of Music in 2008)

Ø 琵琶、二胡与古筝《旱天雷》获2008年第十六届“长风奖”国际中国民族器乐作曲比赛二等奖（一等奖空缺）。Thunders in the summer day for Pipa and Zheng (the Second Prize of the “Chang Feng Prize”, the 16^th International Chinese Traditional Instrumental Composition Competition in 2008)

Ø 七重奏《我的脚步》入选2009北京德国音乐周中国青年作曲家专场由德国著名室内乐团Recherche首演。the septet My Steps(Selected for the Special Concert for the Chinese Young Composer in the Germany Music Week in Beijing in 2009, premiered by the Recherche)

Ø 两把二泉琴《二·胡》，2009年5月“代洁二胡独奏暨硕士毕业音乐会”委约作品，入选2009年第二届上海音乐学院当代音乐周；2012年5月23日在贺绿汀音乐厅再次演出。Er- Hu for two Erquan Hu(entering composition master class in the 2^nd New Music of Shanghai Conservatory of Music in 2009), “There’s a song!” for tenor and clarinet(commissioned by Switzerland UMS Orchestra, premiered in the Chinese University of Hong Kong on 2^nd Dec.2010）

Ø 作品瑞士UMS乐团委约作品高男高音与竖笛“There’s a song!”于2010年12月2日在香港中文大学首演。“There’s a song!” for tenor and clarinet(commissioned by Switzerland UMS Orchestra, premiered in the Chinese University of Hong Kong on 2^nd Dec.2010）

Ø 钢琴作品《鼓铮》荣获2011年第八届中国音乐金钟奖全国钢琴作品比赛优秀奖；2012年6月15日在上海音乐学院学术厅首演。Guzheng for piano solo(won Excellent Award in the 8th Chinese Golden Bell Award for Music)

Ø 管弦乐队《澧水之际》第一乐章在2012年6月13日上海贺绿汀音乐厅首演。The first movement of Beside the Li River I for orchestra premiered in the He Luting Concert Hall of Shanghai Conservatory of Music in June, 2012, Ying Jiangnan for Er-hu and ensemble premiered in June, 2012, and the first movement of Between the ocean and sky II for orchestra is going to premiere in the National Centre for Performing Arts in Oct.2013.

Ø 二胡与西洋重奏《映江南》在2012年6月28日上海音乐学院排演中心“新翻江南丝竹”音乐会首演。Ying Jiangnan for Er-hu and ensemble premiered in June in Rehearsal Center of Shanghai Conservatory of Music

Ø 男声五重唱与打击乐《靑哇哇木偶》获2013年浙江省第一届合唱作品比赛二等奖。Qingwawa Puppet for male vocal quintet and percussion (won the second prize in the 1st Zhejiang Choral Composition Competition in 2013.)

Ø 西洋管弦乐队《澧水之际II》第一乐章在2013年10月4日由中国电影乐团北京国家大剧院首演；在2013年12月16日“第二届青年作曲家计划”的终评音乐会中由国家大剧院乐团再次演出，第五名。The first movement of orchestral piece Between the ocean and sky II was premiered on October 4, 2013, interpreted by China Film Symphony Orchestra at the National Centre for Performing Art in Beijing. It was then presented again by the National Centre for the Performing Arts Orchestra in the final evaluation concert of the “2nd Young Composers Project” on December 16, 2013, achieving the fifth position.

Ø 女高音与室内乐《周南·关雎》获2012年上海音乐学院第四届“百川奖”优秀奖；女高音与钢琴《周南·关雎》获2014年第三届东盟音乐周作曲比赛三等奖。2017年获批国家艺术基金小型舞台项目；2018年4月29日在湖州“南太湖芦花音乐节”的中韩首届艺术歌曲作品音乐会上演出获得好评。Zhounan Guanju for soprano and ensemble received an Excellence Award in the 4th “Rivers Awards” held by Shanghai Conservatory of Music in 2012. The same work for soprano and piano won the third prize in the 3rd Chinese—ASEAN Music Festival in 2014. In 2017, Liu Jian’s project was approved by the National Art Fund for a small-scale stage performance. On April 29, 2018, the performance received high praise at the inaugural China-Korea Art Song Works Concert during the “Nan Taihu Lu Hua Music Festival” in Huzhou.

Ø 打击乐四重奏《森林的眼睛》于2014年12月23日，在贺绿汀音乐厅“浪潮V”音乐会世界首演并获得好评。percussion quartet Eyes of Forest was premiered in the He Luting Concert Hall of Shanghai Conservatory of Music in December, 2014 Percussion quartet Eyes of Forest was premiered on December 23, 2014, at the “Wave V” concert in He Luting Concert Hall, receiving high praise.

Ø 西洋管弦乐队《鼓铮II》入围第三届国家大剧院青年作曲家计划展演阶段，于2015年10月22日在北京国家大剧院首演。Orchestra Guzheng(the Chinese Zither and Percusssion) was performed in the NCPA in October,2015. The Orchestral piece Guzheng II was shortlisted for the third National Centre for the Performing Arts (NCPA) Young Composers Program Exhibition Phase. It premiered at the NCPA in Beijing on October 22, 2015.

Ø 女高音与室内乐《新燕燕做媒》于2015年5月17日在“上海之春”演出，获评2015上海之春群文新人新作展评展演新作奖。New Yanyan as A Matchmaker for soprano and ensemble was performed in 2015 Shanghai Spring International Music Festival;

Ø 爵士、美声、昆曲与室内乐重奏《从前慢》于2016年4月10日和5月15日“上海之春”演出并获好评。It used to be slow for jazz female vocal, bel canto soprano, female Kun Opera voice and instrumental ensemble was performed in 2015 Shanghai Spring International Music Festival;

Ø 西洋管弦乐队《“落水天”不打伞》入围2016-2017年国家大剧院青年作曲家计划前12名展演阶段， 2017年8月18日在国家大剧院由张艺指挥执棒、中央芭蕾舞交响乐团首演成功。Orchestra Walking in the Rain was performed in the NCPA in Aug. 18,2017    The Orchestral piece Walking in the Rain was selected as one of the top 12 performers of the 2016-2017 Young Composers Programme launched by the National Centre for the Performing Arts and was premiered by the Central Ballet and Symphony Orchestra at the National Centre for the Performing Arts under the baton of Zhang Yi, 18th August 2017.

Ø 打击乐三重奏《有翼的呼吸》作为2017年第二届IPEA国际打击乐节演奏家组复赛指定参赛曲目，2017年10月4日由来自多个国内外专业院校的参赛队伍首演。Winged Breath for percussion trio was the set piece of Professional Adult Group of 2017 the Second IPEA International Percussion Competition, premiered in Oct. 4^th in He Luting Concert Hall of Shanghai Conservatory of Music. The percussion trio Winged Breath was premiered as the designated entry for the resumed competition of the Performer Category of the 2nd IPEA (International Percussion Festival). Subsequently, it was premiered several times by domestic and international groups from professional institutions on 4th October 2017.

Ø 《古琴与钢琴》在2017年第三届中国民族音乐节暨“学院奖”民乐作品评选获三等奖，2017年12月2日在中央音乐学院音乐厅首演成功。Qin and Piano-forte was performed in Dec. 2^nd in 2017 in the Consert Hall of Central Conservatory of Music (the third prize of the “Colloge Award”)

Ø 古筝与弦乐四重奏《残荷听雨》在2017年上海音乐学院第七届“百川奖”中获得三等奖，2017年12月4日在上海贺绿汀音乐厅首演成功，获得好评。“Listenin to the Rain Dropping on Withered Lotus Leaves” for Zheng zither and string quartet was premiered in He Luting Concert Hall of Shanghai Conservatory of Music (the third prize in 2017 “SHCM” the Seventh Rivers Awards Composition Competition)

Ø 舞蹈《1937》（作曲）入选2018年浙江省“高雅艺术进校园”活动，2019年入选“第一批高校原创文化精品推广行动计划”，于2018年10月24日在浙江省中医药大学首演，2018年10月至2019年9月在浙江高校巡演十余场。“1937” for dance commissioned by 2018“School Concert” in Zhejiang Province and premiered in Zhejiang Chinese Medical University and touring decades times in Zhejiang province. The dance 1937 (composition) was selected as one of the activities of “Introducing Classical into campus” in Zhejiang Province in 2018. Additionally, it was chosen as part of the “First Batch of Action Plan for the Promotion of Original Cultural Excellence in Colleges and Universities” in 2019. The composition had its premiere on 24th October 2018 at Zhejiang Chinese Medical University and was subsequently performed in more than ten universities across Zhejiang province from October 2018 to September 2019.

Ø 十五把胡琴《留连戏蝶》由浙江音乐学院胡琴乐团约稿，参与2019年中央电视台中国器乐电视大赛，2019年7月9日录制，20日在音乐频道（CCTV15）中播放。“Wandering Butterflies”for Fifteen Erhu commissioned by Zhejiang Conservatory of Music and broadcasting on Channel CCTV 15 on Jul 9^th 2019.

Ø 二胡与合唱队《江河泪》是浙江音乐学院“八秒”合唱团的约稿，于2019年8月4日在浙江音乐学院周颖音乐厅首演，2019年8月8日在国家大剧院再次演出。该作品将于2020年1月在《“八秒”合唱团经典曲集》中出版（人民音乐出版社）。“Tears of The River” for Erhu and Chorus commissioned by “8 seconds” Chorus of Zhejiang Conservatory of Music and played in National Centre for the Performing Arts on Aug. 8^th 2019. This work would be included and published in the Collection for 8 seconds Chorum.

Ø 2019年11月1日在中央音乐学院王府音乐厅举办“冀中乡韵的当代回响——2019刘健作品音乐会”，首演了《三个太阳一个影》、《赶子》《河西钹》《年味》《冀中乡韵》和《半个放驴伪爵士》6个作品；2019年11月2日举办研讨会。The concert “Contemporary Echoes of Jizhong Rural Rhyme——Liu Jian’s composition 2019” held at Wangfu Concert Hall of the Central Conservatory of Music has premiered six works including Three Suns and One Shadow, Gan Zi, Hexi Bo, Flavor of the year, Jizhong Rural Rhyme and Half a Donkey Phony Jazz on November 1, 2019. A seminar was held on the following day.

Ø 2020年受湖州师范学院邀约，为单人舞蹈《飞白》创作配乐。该作品已入围2020年韩国SCF首尔国际编舞节，于2020年12月在首尔国际首演；入选上海国际舞蹈中心剧场“2021年度孵化项目”；入选2021年12月3-5日美国洛杉矶舞蹈节（LADF）；参与2021年11月22日“尹坦科作品展演”，被评为首尔国际舞蹈节“最佳作品”；2021年12月12日受邀“2021Moon Dance Collective pick your color”剧场演出。LIU Jian composed for solo dance Fei Bai as a commission from Huzhou Normal University in 2020. The work was selected to participate in the 2020 Seoul International Choreography Festival (SCF) in South Korea and had its premiere at the Seoul International in December 2020. Additionally, it was also chosen for the “2021 Incubation Program” at the Shanghai International Dance Center and selected to be part of the 2021 Los Angeles Dance Festival (LADF) held on December 3-5, 2021. Furthermore, it took part in the “Yin Tanke Works Exhibition” on November 22, 2021, and was awarded the “Best Work” at the Seoul International Dance Festival. Lastly, on December 12, 2021, it was invited to perform at the “2021 Moon Dance Collective pick your color” theater event.

Ø 管弦乐队《鼓铮III》在 2021年6月19日由朱琪元执棒苏州交响乐团在金鸡湖音乐厅首演，获得第二届金鸡湖作曲比赛第四名优秀奖。The orchestral piece Guzheng III was premiered on June 19, 2021 by the Suzhou Symphony Orchestra under the conduction of Zhu Qiyuan at Jinji Lake Concert Hall. It received the Fourth Place as Excellence Award in the 2nd Jinji Lake Composition Competition.

Ø 人声、重奏与舞蹈《钗头凤》为浙江音乐学院舞蹈系约稿，于2022年5月27日在浙江音乐学院舞蹈剧场的“音韵舞境”首演。Chai Tou Feng for vocal, ensemble, and dance was commissioned by the Dance Department of Zhejiang Conservatory of Music. It was premiered at the Dance Theater of Zhejiang Conservatory of Music as part of the “Yin Yun Wu Jing” event on May 27, 2022.

Ø 音乐舞蹈剧《双阳赋》于2023年5月在中国婺剧院首演。The music and dance theatre Shuangyang Fu was premiered at the China Wu Theatre in May 2023.

Ø 打击乐重奏与电子音乐《日月骕骦马》于2023年12月10日在上音歌剧院，“上海音乐学院现代器乐于打击乐系建系20周年‘交融’音乐会”上成功首演，获得广泛好评。The percussion ensemble and electronic music "Sun and Moon Sable" was successfully premiered on December 10, 2023 at the Shanghai Conservatory of Music Opera House, as part of the "20th Anniversary of the Modern Instrumental and Percussion Department 'Fusion' Concert and received widespread acclaim.

Ø 民乐重奏《争渡、争渡》荣由广东省文化和旅游厅主办、广东民族乐团和广东音乐家协会承办、香港中文大学（深圳）音乐学院协办的2023第三届“南粤新声”广东音乐新经典工程征集活动，中国（民族）室内乐作品优秀奖。The folk music ensemble "Zhengdu, Zhengdu" won the excellent award for Chinese (national) chamber music works in the 023 Third "New Voice of the South Yue" Guangdong Music New Classic Project Collection Activity, which was sponsored by the Guangdong Provincial Department of Culture and, organized by the Guangdong National Orchestra and the Guangdong Music Association, and co-organized by the School of Music of the Chinese University of Hong Kong (enzhen).

Ø 古筝与交响乐队《荷》入围由上海之春国际音乐节组委会、中国音乐家协会共同指导，由上海音乐家协会主办的第三十八届上海之春国际音乐节“海上新梦·十六”原创作品音乐会。The Guzheng and Symphony Orchestra "Lotus" was shortlisted for the 38th Shanghai Spring International Music Festival "Dream of the SeaSixteen" Original Works Concert, which was jointly guided by the Shanghai Spring International Music Festival Organizing Committee and the Chinese Music Association, and sponsored by the Shanghai Music.

Ø 打击乐独奏《为大堂鼓而作I》获2024年第三届“敦煌奖”中国民族室内乐与独奏新作品评展活动优秀作品奖。Percussion solo "I for the Hall Drum" won the excellent work award at the 3rd "Dunhuang Award" National Instrumental Chamber Music and Solo New Works Exhibition in 2024.

Ø 打击乐重奏《赵子龙截江》的室内乐版于2024年12月6日在华南师范大学音乐厅首演，室内乐加醒狮版2025年1月12日再次演出。The chamber music version of the percussion ensemble "Zhao Zilong Intercepts the River" was premiered on December 6, 024, at the Music Hall of South China Normal University, and the chamber music plus lion dance version was performed again on January 12, 225.

主持专业项目：

Participation in Professional Projects (as the principal investigator)：

Ø 2015年9月获批国家艺术基金青年作曲项目（主持），2017年已顺利通过验收。（2015-03-09）Youth Composition Project supported by the China National Arts Fund, approved in 2015 and accomplished in 2017. (Project Number: 2015-03-09)

Ø 2017年7月获批国家艺术基金小型舞台剧项目（主持），2019年已顺利通过验收。（结项证书编号：2017-A-02-（080）-0215）Small Scale Stage Production Project supported by the China National Arts Fund, approved in 2017 and accomplished in 2019. (Project Certificate Number: 2017-A-02-（080）-0215).

Ø 2018年获第64批博士后科学基金面上资助。（2018M641615）Awarded the 64th batch of Postdoctoral Science Fund General Support in 2018. (Project Number: 2018M641615).

Ø 2019年《当代乐理基础》获批浙江师范大学公共艺术教育改革一般项目。In 2019, the project “Contemporary Music Theory Fundamentals” was approved as a general reform project for the Public Art Education at Zhejiang Normal University.

Ø 2020年6月《基础和声》获批浙江师范大学“校一流课程”一般项目。In June 2020, the project “Basic Harmony” was approved as a general project for “First-Class Courses” at Zhejiang Normal University.

Ø 2022年6月《粤乐的硬弓与软弓组合》获批浙江师范大学“校一流课程”一般项目。In June 2022, the project “Combination of Yue Music’s Hard Bow and Soft Bow” was approved as a general project for the “First-Class Courses” at Zhejiang Normal University.

Ø 2023年9月获批浙江省社会科学界联合会社科普及课题。Approved as a social science popularization project by the Zhejiang Provincial Federation of Social Sciences in September 2023

参与项目：

Participation in Professional Projects(as a collaborator) ：

Ø 浙江省哲学社会科学规划一般课题“从声音到声音主义——声音主义的前置历史和美学思想研究”（17DJC091YB）排名2/5.  Philosophy and Social Science Planning General Project in Zhejiang Province, titled “From Sound to Soundism: A Study of the Preceding History and Aesthetic Thought” (Project Number: 17DJC091YB) ranked 2/5.

Ø 教育部2018年高校原创文化精品推广行动计划“舞蹈《活着1937》”排名2/4  Ministry of Education’s Promotion Plan for Original Cultural Masterpieces in Higher Education in 2018, with the project “Dance Living 1937”, ranked 2/4.

Ø 2018年国家艺术基金小型舞台项目“舞蹈《活着1937》”2018-A-02-（066）-0225,排名3/3 Small Scale Stage Production Project supported by the China National Arts Fund in 2018, with the project “Dance Living 1937”, Project Number: 2018-A-02-（066）-0225, ranked 3/3.

理论研究：

Theoretical Research：

Ø 2010年11月4日，上海音乐学院举行学术讲座“《春之祭》‘音响-空间’创作特点”，作为上海音乐学院第三届研究生艺术节之硕博论坛活动之一。Deliverance of a lecture titled “The ‘Sonority-Space’ Compositional character in Ritual of Spring on the 3rd Graduate Art Festival at the Shanghai Conservatory of Music, 4th November, 2010.

Ø 2012年2月在《人民音乐》发表论文“‘陶醉与寻找’——香港中乐团‘2010上海之春’访沪演出的启发”。（P49-51）Publication of the article “ ‘Intoxication and Exploration’: Insights from the performance of Hong Kong Chinese Orchestra at ‘2010 Shanghai Spring’, People's Music, February 2012, pp.49-51.

Ø 2013年6月在《人民音乐》发表论文“浪潮而起——由‘浪潮II’音乐会和2012年打击乐学科发展研讨会说起”（P34-36）Publication of the article “Rising Wave – a discussion initiated by the ‘Rising Wave II’ Concert and the 2012 Symposium on Percussion Music Development”, People's Music, June 2013, pp. 34-36.

Ø 2015年11月在《人民音乐》发表论文“第四届华乐论坛暨‘新绎杯’民族室内乐作品展演活动综述及启示”（P55-57）Publication of the article “Overview and Revelation of the 4th Chinese Music Forum and ‘New Interpretation Cup’ Chinese Chamber Music Works Performance Event, People’s Music, November 2015, pp. 55-57.

Ø 2016年5月在《人民音乐》发表论文“‘出逃’：别无选择的选择——2015年北京国家音乐节刘索拉与朋友们音乐会听后感”（P32-33）Publication of the article “‘To Escape’: The Unavoidable Choice - Reflections on the concert ‘Liu Suola and Friends’ at the 2015 Beijing Music Festival”, People’s Music, May 2016, pp. 32-33.

Ø 2016年7月在《人民音乐》发表论文“‘对话’与‘设问’——‘南’与‘北’间的对话I音乐会的启发与思考”；该文章获第五届中国当代音乐评论比赛二等奖（一等奖空缺；2015年9月）。（P20-22）Publication of the article “‘Dialogue’ and ‘Questioning’: Insights and Reflections on the concert ‘Dialogue in-between the south and the north’ I, People’s Music, July 2016, pp.20-22. The article won the second prize in the Fifth Chinese Contemporary Criticism Competition in September 2015 (The first prize is vacant).

Ø 2016年11月在《人民音乐》发表论文“传统壳壳‘长’出来的一株新芽——刍议‘《葬花吟》王心心作场·南管古琴音乐会’后的思考”（P26-28） Publication of the article “A New Shoot Grown from Traditional Shells: Reflections on the concert ‘The Chant of Burial Flowers Wang Xinxin Zuo Chang Nan Pipe Qin’, People’s Music, November 2016, pp. 26-28.

Ø 2018年1月在《人民音乐》发表论文“小议‘四两拨千斤’——听‘中国序曲——中国交响作品音乐会’有感” （P22-24） Publication of the article “ A short discussion on ‘Si Liang Bo Qian Jin’ —— Thoughts after the concert ‘Chinese Overture – Chinese Symphonic Works’, People’s Music, January 2018, pp. 22-24.

Ø 2018年7月在《人民音乐》发表论文“从‘差距’到‘方向’——2017上海音乐学院国际打击乐节暨第二届IPEA国际打击乐比赛的几点思考”。该文章获得“上音院社杯”第七届音乐评论“学会奖三等奖”（P14-17）Publication of the article “ From ‘distance’ to ‘direction’—— Reflections on the 2017 Shanghai Conservatory of Music International Percussion Festival and the 2nd IPEA International Percussion Competition, July 2018, People’s Music, pp.14-17. The article won the Third Prize of the 7th Music Criticism Society Award of the “Shang Yin She Cup”.

Ø 2019年6月在《人民音乐》发表论文“率性而起，适情而止——刍议雅纳切克《消失人的日记》”（P54-56）Publication of the article “Rise Spontaneously, Stop Appropriately: A Discussion on Janáček’s The Diary of One Who Disappeared”, People’s Music, July 2019, pp.54-56.

Ø 2020年1月在《星海音乐学院学报》发表论文“‘行的解放’——刍议斯特拉文斯基《春之祭》的独特创作思维，兼论其与毕加索“分析立体主义”绘画之联系”。(P87-108) Publication of the article “‘Emancipation of the Row’- Ruminating on the Creative Thoughts  of Stravinsky’s The Rite of Spring and its Connection to Picasso’s ‘Analytical Cubism’ Paintings”, Journal of Xinghai Conservatory of Music, January 2020, pp.87-108.

Ø 2021年10月在《人民音乐》发表论文“墙内开花”_致敬探戈之父皮亚佐拉—评OUR TANGO乐团音乐会”(P41-44)  Publication of the article “‘Qiang Nei Kai Hua’(Blooming in domestic territory)’, Dedicating to Piazolla, the father of Tango —— A Review of the concert of OUR TANGO ensemble”, People’s Music, October 2021, pp.41-44

Ø 2022年7月在《北方音乐——哈尔滨音乐学院学报》发表文章“论华莱士·贝里《音乐的结构功能》中的‘动能’理论”(P132-144) Publication of the article “On the ‘Kinetic Energy Theory’ in Wallace Berry’s The Structural Function in Music”, July 2022, Journal of the Northern Music, pp.132-144.

Ø 2023年3月在《音乐研究》（总第219期）发表文章“论音乐的‘空间’问题”(P111-117）Publication of the article “A discussion on the question for the ‘space’ of Music”, Music Research, March 2023, pp.111-117.

Ø 2023年4月在《中国音乐学》发表文章“楚克坎德尔的‘动能’理论”  Publication of the article “The theory of ‘kinetic energy’ in Sound and Symbol of Victor Zuckerkandl”. Musicology in China,

Ø 2023年3月在《北方音乐——哈尔滨音乐学院学报》发表文章“音乐‘音响-空间’的初级听知觉表征”(P54-63) Publication of the article “The Primary Auditory-Perceptual Representation of Music’s Acoustic-Spatial”, Journal of the Northern Music, March 2023, pp.54-63.

Ø 2022年9月在《星海音乐学院学报》发表文章“感知音乐时空的符号体系”。Publication of the article “Symbolic systems for perceiving musical time and space”, Journal of Xinghai Conservatory of Music, Sep. 2022.

Ø 2023年8月在《人民音乐》发表文章守正创新、开拓未来——王以东与《华韵·中国打击乐教程》。Article published in People's Music in August 2023: "Adhering to the Original and Innovating, Opening up the Future - Yidong and the 'Chinese Percussion Music Tutorial'"

Ø 2024年3月在《人民音乐》发表文章“重构‘身体-文化空间’——郭文景室内歌剧《思凡》的启发” "Reconstructing the 'Body-Cultural Space' - Inspiration from Guo Wenjing's Chamber Opera 'Si Fan'", published in People's Music March 2024.

个人出版：

Personal Publications：

Ø 2022年在福建省文艺音像出版社发行个人音频专辑“踏歌而行——刘健获奖作品选”（ISBN 9787885157357）。同时在在QQ音乐、网易云音乐、酷狗音乐、酷我音乐、Spotify、iTunes、Apple Music、Deezer、Tidal、YouTube Music、Pandora、Boomplay Music等国内外主流平台网络发布。LIU Jian has released a personal audio album titled as Ta Ge Er Xing — Selections of Liu Jian’s Award-winning Works (ISBN 9787885157357) in 2022. Simultaneously, the album was digitally distributed on various mainstream platforms, including QQ Music, Netease Cloud Music, Kugou Music, Kuwo Music, Spotify, iTunes, Apple Music, Deezer, Tidal, YouTube Music, Pandora, and Boomplay Music, both domestically and internationally.

其他获奖经历：

Other Award Achievements：

Ø 2009年获上海音乐学院2008-2009年度第十八届傅成贤纪念奖学金。Fu Chengxian Memorial Scholarship for the 2008-2009 academic year at the Shanghai Conservatory of Music, 2009.

Ø 2011年获“2011-2012年度中银上音优秀研究生奖学金”。BOC Shanghai Conservatory Outstanding Graduate Student Scholarship for the 20011-2012 academic year,  2011.

Ø 2011年获上海市“感恩成长，励志成才”征文比赛一等奖。The first prize in the “Thanksgiving for Growth, Aspiration for Success” Essay Competition in Shanghai, 2011.

Ø 2017年获浙江师范大学第十一届青年教师教学竞赛优胜奖。The Excellence Award in the 11th Zhejiang Normal University Teaching Competition for the junior faculty, 2017.

Ø 2019年获中央音乐学院优秀博士后荣誉称号。“Outstanding Postdoctoral Fellow”, Central Conservatory of Music, 2019.

学术兼职：

Academic part-time job：

Ø 浙江音乐家协会会员 Member of Zhejiang Musicians Association

Ø 中国音乐家协会会员Member of of China Musicians Association

Ø 中国音乐家协会评论学会会员Member of Review Society in China Musicians Association

Ø 中国民族管弦乐协会会员Member of China Nationalities Orchestra Society

Ø 2022年中国社会科学评价研究员A刊评议作者China Social Science Evaluation Fellow and A journal review author in 2022

社会应用型项目：

Socially Applied Projects：

Ø 2014年，金华儿童福利院校歌《金色童谣》School song Golden Nursery Rhyme for Jinhua Children’s Welfare Institute, 2014.

Ø 2015年，捷昌驱动有限公司主题曲《驱动梦想》Theme song Drive Dreams for Jiechang Drive Coo., Ltd, 2015.

Ø 2016年，浙江省龙游县第二高级中学校歌《青春领航》School song Navigating Youth for the second Senior High School of Longyou, Zhejiang, 2016.

Ø 2016年，浙江省大学生篮球联赛主题曲《Back me up!》Theme song Back Me Up! For the Zhejiang University Student Basketball League, 2016.

Ø 2016年，浙江省永康市农商银行主题曲《普惠幸福》与《天下·永商》；2018年由《幸福同行》（《普会幸福》修改版）正式发表。Two theme songs Universal Happiness and Tianxia-Yongshang for Zhejiang Yongkang Rural Commercial Bank, 2016. It was officially published as Accompanied by happiness (modified after Universal Happiness) in 2018.

Ø 2017年，四川成都第四届“成都·迪拜国际杯——温江迈丹赛马经典赛”主题曲《相约成都·迪拜》Theme song Meeting in Chengdu-Dibai for the 4th “ Chengdu-Dibai International —Wenjiang Maidan Horse Racing Classic competition” held in Chengdu, Sichuan, in 2017.

Ø 2017年，浙江师范大学行知学院院歌 School anthem for the Xingzhi College at Zhejiang Normal University, 2017.

Ø 2019年，歌曲《寻光》（上海普陀区文化馆约稿），2019年7月3日在上海市群星奖决赛现场首演获得好评。Created in 2019, the song Seeking Light (Commissioned by the Cultural Center of Putuo district in Shanghai), was well received while its premier at the Shanghai Stars Awards finals on July3, 2019.

Ø 2019年，浙江省桐乡市崇福镇御驾桥村村歌《沙渚塘畔御驾桥》Village song On the Banks of Shazhutang at Yujia Bridge for Yujia Bridge Village, Chongfu Town, Tongxiang City, Zhejiang Province, 2019.

Ø 2020年，抗疫歌曲《英雄的城市 英雄的人民》于2020年4月30日在“学习强国”平台播放；2020年7月获金华市第二届音乐新作大赛创作一等奖；2020年10月获“共抗疫情，爱国力行”主题宣传教育和网络文化成果征集展示活动歌曲类优秀奖（教育部思想政治工作司）。After its creation in 2020, the anti-epidemic song The city of Heroes, The people of Heroes was broadcasted on the “Xue Xi Qiang Guo” platform in April of the same year. Later in July, it won the first prize of the 2nd Jinhua City Music Composition Competition; in October 2020, it won the excellence prize in the song category of the “Fighting against the Epidemic, Being Patriotic” thematic publicity, education and network culture achievement collection and display activity (Department of Ideological and Political Work of the Ministry of Education).

Ø 2021年，庆祝共产党100周年歌曲《我的形象烙在党旗上》由金华市总工会约稿，于2021年7月1日在“金华工会”《金华日报》《金华晚报》等媒体上正式发布。Created for the celebration of the 100th anniversary of the Communist Party of China, the song My Image Imprinted on the Party Flag was commissioned by the Jinhua Federation of Trade Unions in 2021, and it was officially published on 1 July 2021 in “Jinhua Trade Union”, Jinhua Daily and Jinhua Evening News, etc.

教学成果：

Tutorial Achievements：

Ø 指导学生连杭忠创作的钢琴独奏《Depicting Dreams》在2022年首届“识途音乐奖”国际作曲比赛获二等奖。Piano solo Depicting Dreams composed by LIAN Hangzhong has won the Second Prize in the First International composition competition “Recognizing the Way Music Prize” in 2022. 

Ø 指导宋程远创作的室内乐《幽篁》在2022美国国际青少年音乐作曲比赛获满分大奖。Chamber music You Huang composed by Song Chengyuan has won the Grand Prize with full credit in the 2022 International Youth Music Composition Competition in the United States.

Ø 指导学生徐梓恒创作钢琴独奏《六月·风车》在2022年美国亚特兰大国际青少年音乐比赛获三等奖。June·Windmill for solo piano composed by XU Ziheng has won the third prize in the 2022 International Youth Music Competition in Atlanta, USA.

Ø 指导学生连杭忠创作的吉他独奏《Déjà vu》在第十届奥汀国际作曲比赛中获优秀奖。Guitar solo Déjà vu composed by LIAN Hangzhong has won the Excellence Prize in the 10th Austin International Music Composition Competition.

Ø 指导连杭忠同学的六重奏《七月窗台上的鸟儿》(“Birdsperched on my windowsill in July” )在第九届常青藤国际作曲大赛 (THE9th IVY INTERNATIONAL GRANDPRIZE OF MUSIC)中荣获作曲二等奖（2023年5月6日）。Sextet Birds perched on my windowsill in July composed by LIAN Hangzhong has won the Second Prize of the 9th IVY INTERNATIONAL GRANDPRIZE OF MUSIC.

Ø 指导学生宋程远的钢琴独奏《婺语》在MAP-IMC 2023 (MAP International Music Competition) 作曲大赛获第九名，优秀奖（2023年5月20日）。Piano solo Wu Yu composed by SONG Chengyuan has won the the 9th place as well as an excellence award in the MAP International Music Competition.

Ø 主持开设网络课程《粤乐的硬弓与软弓组合》。Launched the online course “Combination of Yue Music’s Hard Bow and Soft Bow.”

参会发言：

Conference Presentations：

Ø 2018年为上海音乐学院举办的“国家艺术基金音乐理论人才培养项目”正式会员，已结业；Participation as a formal member at the “China National Arts Fund Music Theory Talent Training Project” held by Shanghai Conservatory of Music in 2018 (completed).

Ø 2019年9月至12月入选上海音乐学院亚欧中心邀访学者；From September to December 2019, selected as a visiting scholar at the Asia-Europe Center of the Shanghai Conservatory of Music.

Ø 2019年12月13-15日福建师范大学第九届“京沪闽现代音乐创作研讨会”，发言题目为“谁说流行音乐不入流?”，提交作品为《从前慢》（作证文章：宋方方.新生代女性作曲家的个性与活力——第九届“京沪闽现代音乐创作研讨会”侧记[J].福建艺术,2020,(05):10-14.）； During her participation at the 9th “Jing-Hu-Min Modern Music Composition Seminar” at Fujian Normal University in December 13-15, 2019, LIU Jian gave a speech on “Who Says Popular Music is Not Influential？” while submitted a piece of music It used to be slow (Reference: SONG Fangfang, “Personality and Vitality of the New Generation Female Composers - Notes on the 9th ‘Jing-Hu-Min Modern Music Composition Seminar’”[J]. Fujian Art, 2020, (05): 10-14.)

Ø 2020年7月参加中国传统音乐学会第21届年会，发言题目为“拟态与活态——刍议传统音乐在当下音乐创作与声环境实践中的转译可能”; In July 2020, attended the 21st annual conference of the Chinese Society for Traditional Music, with a presentation on “Mimicry and liveliness: Discussing the Transcription Possibilities of Traditional Music in Contemporary Music Composition and Sonic Environments.”

Ø 2022年11月参加中国传统音乐学会第22届年会，发言题目为“音乐创作与声环境”; In November 2022, participated in the 22nd annual conference of the Chinese Society for Traditional Music, delivering a presentation on “Music Composition and Sonic Environments.”

Ø 2022年参加中国音乐家协会西方音乐学会（疫情后推，已发邀请函），提交论文为“楚克坎德尔《声音与符号》中的‘动能’理论”；In 2022, invited by the Western Music Society of the Chinese Musicians Association (postponed due to the epidemic) to attend and submit a paper on “The theory of ‘kinetic energy’ in Sound and Symbol of Victor Zuckerkandl”.

Ø 2022年参加福建师范大学第十届“京沪闽现代音乐创作研讨会”（疫情后推，已发邀请函）, 提交作品为《江河泪》。In 2022, invited by Fujian Normal University to attend the 10th “Modern Music Composition Workshop of Beijing-Shanghai-Fujian” (postponed due to the epidemic) and submit a work titled Tears of the River.

Ø 2023年，文章“重构‘身体-文化空间’——郭文景室内歌剧《思凡》的启发”入选中央音乐学院第三届“碰撞与交汇：全球视野下的中国音乐当代研究国际学护士研讨会”。In 2023, the article “Reconstructing ‘Body-Culture Space’: Insights from Guo Wenjing’s Chamber Opera Sifan” was selected for the 3rd International Symposium of “Contrasts and Convergence in Chinese Music: 3rd International Conference on Contemporary Studies on Chinese Music from a Global Perspective” held by Central Conservatory of Music.

Ø 2023年10月21日，作为“创新嘉宾”受邀参加了由中央广播电视总台中国之声和中国艺术研究院音乐研究所联合推出的《乐动中国：中国传统乐器公开课》第十八讲“冀中笙管乐”现场直播节目，跟央视主持人苏扬与来自中国艺术研究院的主讲饶曦老师进行对谈。节目最后播放了刘健的作品《半个放驴伪爵士》片段。On October 21, 2023, I was invited as an "innovative guest" to attend the live broadcast program the 18th lecture of "Le Dong Zhong Guo: Traditional Chinese Musical Instruments Open Class", which was jointly launched by China Central Radio and Television China and the Music Research Institute of the Chinese Academy of Art. I had a dialogue with CCTV host Su Yang and the main speaker, Teacher Rao Xi from the Chinese Academy Art. At the end of the program, a clip of Liu Jian's work "Half a Fake Jazz Donkey Herder" was played.

Ø 2023年9月15-17日，受邀参加由中国音协音乐评论学会和西南科技大学主办、由西南科技大学文学与艺术学院 、四川文艺评论研究中心协办的当代音乐创作研究与评论研讨会。发言题目为‘重构“身体-文化空间’——郭文景室内歌剧《思凡》的启发”2023, September 15-17, Invited to attend the Contemporary Music Composition Research and Criticism Seminar sponsored by the Chinese Music Association Music Criticism Society and Southwest University of Science and Technology, and co-organized by the School of Literature and Art of Southwest University of and Technology and the Sichuan Literary Criticism Research Center. The title of the speech is "Reconstructing the 'Body-Cultural Space' - Inspiration fromo Wenjing's Chamber Opera 'Si Fan'".

Ø 2023年10月21日刘健博士受邀作为“创新嘉宾”参加中央电视台《乐动中国：中国传统乐器公开课》第十八讲“冀中笙管乐”现场直播节目，跟央视主持人苏扬与来自中国艺术研究院的主讲饶曦老师进行对谈。节目最后播放了刘健的作品《半个放驴伪爵士》片段。《半个放驴伪爵士》采用了河北吹歌【放驴】素材，配以西方爵士和声与摇摆节奏与之结合，探索中国民族传统音乐与西方艺术音乐、当代流行音乐结合的可能。On October 21, 2023, Dr. Liu Jian was invited as an "Innovation Guest" to participate in the live broadcast of CCTV's "Music Moves China: Traditional Chinese Instrument Open Course" (Episode 18: "Jizhong Shenguan Music"). During the program, he engaged in a dialogue with CCTV host Su Yang and lecturer Rao Xi from the Chinese National Academy of Arts. The episode concluded with an excerpt from Liu Jian's composition "Half-Donkey Fake Jazz.""Half-Donkey Fake Jazz" creatively incorporates musical elements from the Hebei wind-and-percussion piece "Fang Lü," blending them with Western jazz harmonies and swing rhythms. This work represents an exploration of the possibilities in combining traditional Chinese folk music with Western art music and contemporary popular music.

Ø 2023年11月3—6日，受邀参加中国音乐家协会音乐评论学会第九届年会，发言题目为“守正创新、开拓未来——王以东与他的《华韵·中国打击乐教程》”。From November 3rd to 6th, 2023, I was invited to attend the 9th Annual Meeting of the Music Critics Society of the Chinese Musicians Association, with the speech titled "Upholding Integrity, Innovating, and Exploring the Future - Wang Dongdong and His' Huayun · Chinese Percussion Course '.

Ø 2023年12月6-9日，受邀参加由中国音乐家协会作曲与作曲理论学会、哈尔滨音乐学院、上海音乐学院、黑龙江省音乐家协会主办，哈尔滨音乐学院作曲系、上海音乐学院作曲指挥系承办的“2023汪立三诞辰90周年暨钢琴及室内乐创作(哈尔滨)研讨会”。作曲会场发表作品为《蒲公英的诗》，理论会场发言题目为“西方现当代对音乐空间问题的讨论”。2023 December 6-9, invited to attend the "2023 Wang Lisan's 90 Anniversary of Birth and Piano and Chamber Music Composition (Harbin) Symposium" sponsored by the Chinese Music Association's Composition and Composition Theory Society, Harbin Conservatory of, Shanghai Conservatory of Music, and the Heilongjiang Music Association, and organized by the Composition Department of Harbin Conservatory of Music and the Composition anding Department of Shanghai Conservatory of Music. The work presented at the composition venue was "The Poem of Dandelion", and the title of the speech at theory venue was "The Discussion on the Issue of Musical Space in Western Modern and Contemporary Times".

Ø 2023年12月12日—12月14日，受邀参加杭州师范大学音乐学院主办的音乐学（师范）专业作曲理论课程群贯通教学研讨会。December 12, 2023 - December 14, 2023, Invited to attend theology (Teacher Education) Major Composition Theory Curriculum Group Integrated Teaching Seminar sponsored by the School of Music of Hangzhou Normal University.

Ø 2024年1月10日受上海音乐家协会邀请，参加“上海之春”国际音乐节“海上新梦·十六”原创作品音乐会创作工作会议并发言。On January 10, 2024, invited by the Shanghai Musicians Association, participated in the "Shanghai Spring" International Music Festival "New Dreams on the Sea · Sixteen" Original Works Concert Creation Work Conference and gave a speech.

Ø 2025年1月12日受华南师范大学邀请，参加“‘南狮锣鼓’的传承与转译研讨会与作品发布会”并发言。On January 12, 2025, invited by South China Normal University, attended the "Seminar and Work Release Conference on the Inheritance and Translation of 'Nanshi Gong and Drum'" and gave a speech.